ISSAQUAH NOV 12—DEC 22, 2024 | EVERETT JAN 4—26, 2025
Music and Lyrics by Laurence O’Keefe and Nell Benjamin | Book by Heather Hach
Based on the novel by Amanda Brown and the Metro-Goldwyn-Mayer motion picture
Don’t judge a blonde by her cover! Elle Woods appears to have it all. But her life is turned upside down when her boyfriend dumps her so he can attend Harvard Law. Determined to get him back, Elle ingeniously charms her way into the prestigious law school, and soon she discovers — and proves to the world — the power of being legally blonde. Based on the beloved movie, Legally Blonde The Musical takes you from the sorority house to the halls of justice in fabulously fun, blonde-tastic style. With an infectious score, dazzling dances, and a hilarious script, this ebullient musical is so much fun, it should be illegal!
LEGALLY BLONDE is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com
Running Time: Approximately 2 hours and 20 minutes
KRISTIN BURCH, she/her (Serena, u/s Elle). OMG Snaps! Kristin is absolutely jazzed to make her Village Theatre debut! BFA in theatre from Pacific Lutheran University (Go Lutes!). Select credits: Frolika in The Hunchback of Notre Dame, Mamma Mia!, Rock of Ages, White Christmas (The 5th Avenue Theatre); Andrina in Disney’s The Little Mermaid (National Tour); Anybodys in West Side Story (International Tour). Endless love to her daughter Sienna, Mom & Dad, shout out to TJ’s #156 crew! Instagram: @kristinburch
ETHAN CARPENTER, (Warner Huntington III). Legally Blonde marks Ethan’s 10th Mainstage show with Village Theatre! Favorites include: Hairspray, Les Misérables, Matilda, Rodgers and Hammerstein’s Cinderella, and Disney’s Newsies. Ethan also appeared in the Beta production of MISS STEP. The 5th Avenue Theatre: Disney’s The Little Mermaid, Sweeney Todd: The Demon Barber of Fleet Street, Paint Your Wagon, Austen’s Pride, and A Chorus Line. Indiana University Alumni. Endless thanks to the cast and creative team. Love to friends and fam.
DANIEL CRUZ, (Nikos, Ensemble, Associate Choreographer) is excited to return to the stage as a performer and Associate Choreographer. Village Theatre: Graffiti Pete in In the Heights, Simon of Legree in The King & I. The 5th Avenue Theatre: Paul in A Chorus Line, Chino in West Side Story. First National Tours: Dance Captain, u/s Graffiti Pete in In the Heights, and with artists Macklemore in Dance Off; Prince in Musicology, and Michael Jackson/*NSync in the MTV Video Music Awards. Bending & snapping for RJ, Brandon, Katy, Tim & Meredith.
COLEMAN CUMMINGS, he/they (Emmett Forrest) is elated to be returning to Village Theatre and this time on the Mainstage! Coleman was last seen at Village as Shrek in Shrek (Village Theatre’s KIDSTAGE)! Every KIDSTAGE kid’s dream is to perform in a Mainstage show, and this could not be a more perfect show or team to make that dream come true! Favorite credits: Roger in Rent (National Tour), Dmitry in Anastasia, Prince Eric in Disney’s The Little Mermaid, and Jon in Tick, Tick…Boom! @colemanscummings
ANTEIA DeLANEY, she/her (Whitney, Ensemble) is so totally stoked to welcome you to Legally Blonde! Village Theatre credits include Ensemble in Hello, Dolly! and Little Eva and a Shirelle in Beautiful: The Carole King Musical. Other credits include Ana in Spring Awakening (The 5th Avenue Theatre). Anteia invites you to pay rent to RealRentDuwamish.com for our continued use of their land as we carry on the oldest human tradition, storytelling. Come find me on YouTube! Love to Mommy and Nana. @forest.exe
BEN DOW, he/him (Aaron Schultz, Ensemble, u/s Emmett) is honored to be making his Village Theatre debut! Theater credits include Elf: The Musical, Grease (Drury Lane Theatre); Dames at Sea (Peninsula Players Theatre); Sons of Hollywood (Windy City Playhouse); and Disney’s Newsies (Bigfork Summer Playhouse). Ben has a BFA in musical theatre from Indiana University Bloomington and is proudly represented by Stewart Talent – Chicago. Love to Maya and family. bennelsondow.com
MARK EMERSON, he/him (Professor Callahan). Village Theatre: The Fantasticks, Ken Ludwig’s Sherwood: The Adventures of Robin Hood, Mamma Mia!, She Loves Me, Rodgers and Hammerstein’s Cinderella. The 5th Ave Theatre: Sweeney Todd: The Demon Barber of Fleet Street. National Tours: The Phantom of the Opera. London: Angels in America (Lyric Hammersmith). Regional: Sunday in the Park with George (The Repertory Theatre of St. Louis); Merton of the Movies (Dorset Theatre Festival). TV: “The Late Late Show with James Corden.” BS: Northwestern University; MFA: University of California San Diego. Much love to Jake & Family! markemersonactor.com
NALICA HENNINGS, she/her (Pilar) graduated from Western Washington University with a BA in music and a minor in theatre. She has performed as Lucille and Ensemble in Beautiful: The Carole King Musical and u/s Ti Moune/Asaka in Once on This Island (Village Theatre); Chorus in Gershwin’s Porgy and Bess (Seattle Opera); and Aquata and Ensemble in Disney’s The Little Mermaid (The 5th Avenue Theatre). Feel free to follow her on Instagram @nalica.performs
DANNY KAM, he/they (Dewey, Carlos, Ensemble u/s, Callahan, Vocal Captain) is a Seattle-based actor/singer and vocal coach who works with Village Theatre, The 5th Avenue Theatre, ACT Theatre, Seattle Shakespeare Company, Seattle Rep, Taproot Theatre and Cornish College of the Arts, among others. Select favorite credits include: Lewis in The Passage, Solomon/Abraham in ZM, George Westinghouse in Nikola Tesla Drops The Beat (Village Theatre); Sir Toby in Twelfth Night (Seattle Shakespeare Company); and Curtis/Monsignor in Sister Act (Taproot Theatre). Thank you for supporting live theatre!
CASSI Q KOHL, she/her (Enid, Kate, Ensemble) is a carpenter by day who is thrilled to be back on the Village Theatre stage! You may recognize her as the Fairy Godmother from Rodgers and Hammerstein’s Cinderella, or from String, She Loves Me, and MISS STEP. Favorite local credits: Flotsam in Disney’s The Little Mermaid (The 5th Avenue Theatre), Grace Banker in The Hello Girls (Taproot Theatre), and Bernadette in POTUS (ACT Theatre). Love to her fiancée Amanda for always setting out her favorite breakfast. @thunderdyke
CHERISSE MARTINELLI, (Vivienne) is ecstatic to return to Village Theatre after previously performing in Beautiful: The Carole King Musical, String, and Disney’s Newsies. She recently returned home to the Pacific Northwest after a few years of singing her way around the globe on luxury cruise ships. Other credits: Sister Act (Taproot Theatre), Legally Blonde (Showtunes Theatre Company), Into the Woods (Icicle Creek Center for the Arts). Forever grateful for the gift! Psalms 30:11-12
ARIKA MATOBA, she/her (Margot). Village Theatre: Deorwynn Miller in Ken Ludwig’s Sherwood: The Adventures of Robin Hood, Sally Brown in You’re a Good Man, Charlie Brown, Marcy Park in The 25th Annual Putnam County Spelling Bee, and Little Red in Into the Woods. The 5th Avenue Theatre: Chip in Disney’s Beauty and the Beast and Little Sally in Urinetown. Arika is an artist, a Lagree fitness instructor, and an avid cloud watcher. Life is “So Much Better” with Kumo, my family, my friends, and you! @arikamatoba
TRINA MILLS, (Paulette) is so happy to be back at Village Theatre! Born and raised in Seattle, Mills’ regional credits include Tanya in Mamma Mia! and June in Chicago (Village Theatre); Sheila in A Chorus Line and Glinda in The Wiz (The 5th Avenue Theatre); Evita and The Sound of Music (Asolo Repertory Theatre), Jersey Boys and Chess (The MUNY); Cabaret (The Old Globe Theatre); and The Who’s Tommy (The Kennedy Center).
GCH CH GRANELLO D’ORO DI SAN GIMIGNANO, CALL NAME NUGGET (Bruiser) was born in Italy and moved to Costa Rica. Nugget started his show career as a junior in Costa Rica where he became a JrCh. After moving to Portland, Oregon in 2021, he quickly attained his Grand Champion status in the United States and Canada. Following that he took some time off to sire two litters. He is excited to start a different type of show career in Legally Blonde The Musical.
CY PAOLANTONIO, (Brooke Wyndham, Ensemble) is an actor/director/choreographer whose work has been seen at The Kennedy Center, Arena Stage, The Arad Fort in Bahrain, Oregon Shakespeare Festival, Seattle Rep, The 5th Avenue Theatre, The Smithsonian, SXSW, VH1, BET, NYC Workshop Theatre, and many other regional theatres around the country. Wilde Award recipient for Outstanding Choreography for Ragtime (Flint Repertory Theatre), where she also choreographed Godspell in a pool. Next up: choreographing The Merry Wives of Windsor at Oregon Shakespeare Festival and Godspell at the Hangar Theatre.
LAUREN PARIS, she/her (Ensemble, u/s Paulette). Village Theatre credits: The Book Club Play and Welcome Home. Favorite Chicago credits: Percy in The Spitfire Grill; Mary Magdalene in Jesus Christ Superstar; Yitzhak in Hedwigand the Angry Inch; working hands-on with playwright Sarah Ruhl on Chicago premiere of Melancholy Play: A Chamber Musical; and first Chicago productions of Rent (directed by David Cromer) and Spring Awakening. @theelaurenparis
RICHARD PEACOCK, he/they (Kyle, Ensemble, Dance Captain) is a Seattle-based multidisciplinary artist and founder of the Queer/BIPOC artist collective Yusephinum, LLC. He has worked professionally in musical theatre for over a decade. Richard has been seen at Village in Once on This Island and The Noteworthy Life of Howard Barnes. Recently, Richard was seen in Fat Ham at Seattle Rep. Some of his favorite Seattle credits include Ragtime; Rock of Ages; Kiss Me, Kate; and A Chorus Line (The 5th Avenue Theatre).
GCH CH CHEROKEE LEGEND ROXANNE, CALL NAME ROXANNE (Rufus) is a Best in Specialty Show winner and a Grand Champion. She was the foundation for Cascade Bulldogs and grandmother to their current puppies. She was on an episode of “Treehouse Masters” when Pete Nelson and his crew built our treehouse in 2017. She is very excited to be a part of Legally Blonde The Musical.
CHARLES L. SIMMONS, he/him (Cezar Tepesh, Ensemble) is a performing artist from Tacoma, WA and is thrilled to return to Village Theatre’s stage with such a fun show! Previous credits include: Beautiful: The Carole King Musical, Dreamgirls, Hairspray, You’re A Good Man, Charlie Brown (Village Theatre); Disney’s Beauty and the Beast, and The Wiz (The 5th Avenue Theatre). IG: @Shiemmons18
GENNAVIEVE SMITH, she/her (Chutney, Ensemble) is thrilled to be making her professional debut with Village Theatre! She recently graduated from Cornish College of the Arts with her BFA in musical theatre. Her Cornish credits include: Gynecia in Head Over Heels, Reza in Once, Frenchy and Assistant Choreographer in Cabaret. Today’s performance is brought to you by the love and support of her family and friends. IG: @gennavieve_smith
BETSY STEWART, she/her (Elle Woods) is beyond honored to be bringing her childhood hero and favorite story to life! Previous credits include: Cruel Intentions (First National Tour); Hooded; or Being Black for Dummies (Echo Theatre Company); October Sky (Old Globe Theatre); Spring Awakening (Marriott Theatre). She’s a proud Northwestern graduate and AEA member. Endless gratitude to her Aperture team, her family, and Alex for their steadfast support. @beetstew
SHELBY WILLIS, she/her (Ensemble) is excited to be back performing at Village Theatre in this production of Legally Blonde! Previous Village shows include: In the Heights, My Fair Lady, Singin’ in the Rain, Hello, Dolly!, and u/s Michelle Morris in Dreamgirls. Shelby was last seen in The 5th Avenue Theatre’s production of White Christmas, Disney’s The Little Mermaid, The Wiz, and Disney’s Beauty and the Beast. Love you Zach/Fam-Bam and OMIGOD enjoy the show!
UNDERSTUDIES
SUSANNA CATHRYN BALLENSKI, she/they (Swing, u/s Margot, u/s Serena) is thrilled to be making her Village Theatre debut! Susanna was classically trained in dance at The Edge Performing Arts Center in Los Angeles, musical theatre at The American Musical and Dramatic Academy in New York City, and gymnastics and aerial arts in Denver. Favorite credits include: Anya in Anastasia (Regional Theatre of the Palouse), Ariel in Footloose and Lucy in Jekyll and Hyde (Candlelight Dinner Playhouse). Thank you for supporting live theater! Insta: @susanna.ballenski
ANIA BRIGGS, she/her (Swing, u/s Pilar) is a Seattle-based actress, vocalist, and cat mom. In her decade of acting, some of her favorite roles include: Chiffon in Little Shop of Horrors (Village Theatre), Rita in White Christmas (The 5th Avenue Theatre), and Fabian in Twelfth Night (Seattle Shakespeare Company). Ania wants to say a big thank you to her friends and family for their continued support and encouragement. As always, this one is for you Michelle.
KEKOA DILAY, he/him (Swing) is thrilled to be making his professional theatre debut with Village Theatre! He is a teaching artist for Village Theatre Institute. Select performance credits include: Davey in Disney’s Newsies, Herb in Junie B. Jones, and Marius in Les Misérables. Choreography/Directing credits: associate director/choreographer for Disney’s Beauty and the Beast, associate choreographer for Guys and Dolls, and choreographer for While They Last (Village Theatre’s KIDSTAGE). Love & gratitude always to Mom, Dad, Keoni, Kapono, & Ariona! @kekoadilay
HANNAH MOONEY, she/her (Swing, u/s Vivienne, u/s Brooke) is incredibly grateful to be making her professional theater debut with Village Theatre! Hannah is a professional dancer, choreographer, and cabaret performer in the Seattle area. She can be seen in Verlain and McCann Productions at the Triple Door and singing with a vintage ‘40s trio, The Memphis Belles. She also teaches heels dance through Ztheory. Enormous thanks to her dance community for all their continued support! @hrmooney548
JEFFERY WALLACE, (Swing, u/s Warner) is thrilled to return to the Village Theatre stage. Previous credits include: Once on This Island, Beautiful: The Carole King Musical, and Hello, Dolly! (Village Theatre); Once on This Island (Tacoma Musical Playhouse); All Shook Up (ManeStage Theatre Company), Peter and the Starcatcher, and more! Off-stage, Jeff is an interior designer and event decorator. He is blessed to share his God-given gifts and for the love and support of his family and friends. @JBrianjr_
MEREDITH McDONOUGH, (Director) was the Associate Artistic Director at Actors Theatre of Louisville where favorites include: Angels in America, Peter and the Starcatcher, and the premieres of Colman Domingo’s Dot and Airness. Regional favorites: The Lily’s Revenge with Taylor Mac, the world premiere of Emma and Noises Off (Guthrie Theater), Falsettos (Theater Latté Da), and The 39 Steps (Denver Center for the Performing Arts). She was the Director of New Works at TheatreWorks and the New Works Director for National Alliance for Musical Theatre. Education: Northwestern University; MFA, University of California San Diego.
TIM SYMONS, (Music Director) is the Resident Music Supervisor at Village Theatre, where he has overseen all aspects of music for the company since 2005. Select credits: Jesus Christ Superstar, Cabaret, The Fantasticks, Songs for a New World, The 25th Annual Putnam County Spelling Bee, Hart Island, Billy Elliot, and The Who’s Tommy (Village Theatre); Rock of Ages, The Hunchback of Notre Dame, and Romy & Michele’s High School Reunion (The 5th AvenueTheatre); Assassins (ACT Theatre); Man of La Mancha and Xanadu (Arizona Theatre Company). Original scores for Seattle Children’s Theatre, Seattle Shakespeare Company, and Village Theatre. Love to Taylor, Cedar, and Winslow!
KATY TABB, she/her (Choreographer) is thrilled to return to Village Theatre after previously choreographing: The Fantasticks, Rodgers and Hammerstein’s Cinderella, Mamma Mia!, Singin’ in the Rain, Billy Elliot, ZM, and Disney’s Newsies (Gregory Award recipient). Katy’s work has been presented at The 5th Avenue Theatre, Theatre Aspen, The Great Lakes Center for the Arts, Olney Theatre Center, Seattle Symphony, Cornish College of the Arts, The Triple Door, Taproot Theatre, Showtunes Theatre Company, and numerous Village Theatre’s KIDSTAGE productions.
LEX LIANG, (Scenic Designer). NYC/Off-Broadway: 50+ productions; Select Regional: Alliance Theatre, Asolo Repertory Theatre, Cleveland Play House, Cincinnati Playhouse, Dallas Theater Center, Denver Center, Goodman Theatre, Guthrie Theatre, La Jolla Playhouse, Old Globe Theatre. Other: Founder and owner of LDC Design Associates, an experiential event design and production company in NYC. Recent projects/clients include Absolut Vodka, Johnson & Johnson, The Kardashians, Tony Awards Gala, NY Fashion Week, NYC Wine & Food Festival. lexliang.com @MrLexLiang
HARMONY ARNOLD, (Costume Designer) is an accomplished costume designer, wardrobe stylist for stage, film, and commercial work, and an image consultant for private clients. She is an associate professor in the Department of Performing Arts and Arts Leadership at Seattle University. Harmony is delighted to rejoin Village Theatre, having previously designed costumes for String, Once Upon a Time in New Jersey, and Snapshots. Harmony is a member of the United Scenic Artists Local USA 829.
YAEL LUBETZKY, (Lighting Designer). Credits include: Russell Simmons’ Def Poetry Jam (Broadway); Off-Broadway productions with The New Group, The Public Theater, Playwrights Horizons, WP Theater. Regional designs at American Conservatory Theatre, The 5th Avenue Theatre, Chicago Shakespeare Theater, Paramount Theatre, Drury Lane Theatre, Milwaukee Repertory Theatre, Syracuse Stage, Trinity Repertory Company. Recent designs include Natasha, Pierre and the Great Comet of 1812 (Writer’s Theatre); Matilda (Wichita Music Theatre); On Your Feet, Kinky Boots (Riverside Theatre); Master Class (Arizona Theatre Company).
KURT CONWAY, (Sound Designer) Previous credits include Rodgers and Hammerstein’s Cinderella, Little Shop of Horrors, Songs for a New World (Village Theatre). He also designs shows for Norwegian Cruise Lines. Originally from the mountains of North Carolina, Kurt currently works for The 5th Avenue Theatre as well as freelances as a designer and mix engineer in Seattle and internationally.
MIRANDA MIKOLAIZIK, (Stage Manager) is so excited to be working on this bucket list show! She is also grateful to be serving as the theatre’s Resident Stage Manager. Miranda has worked on a number of shows at Village since 2014 including Dreamgirls, Matilda the Musical, Songs for a New World, and Cabaret. She also tries to stage manage for The 14/48 Projects whenever possible and loves lifting heavy things. All the love to Chris and the kittens.
ISABELLA MARZIELLO, she/her/ella (Assistant Stage Manager) is thrilled to be back at Village Theatre for Legally Blonde! Isabella has had the pleasure of working with Village Theatre, Seattle Rep, Seattle Children’s Theatre, ArtsWest, ACT Theatre, and Washington Ensemble Theatre. In her free time, she enjoys reading and hiking. Isabella holds a BA in theatre arts from the University of Puget Sound. She sends endless love and thanks to her friends, family, and fiancé for their unfaltering love and support.
LAUREL NICHOLS, she/her (Assistant Stage Manager) is delighted to be backstage for this fun show! Previously at Village Theatre: Beautiful: The Carole King Musical, Hello, Dolly!, Songs for a New World, The Noteworthy Life of Howard Barnes, Disney’s Newsies, Pump Boys & Dinettes, Billy Elliot. Regional credits: The 5th Avenue Theatre, Seattle Children’s Theatre, ACT Theatre, The Feast, Intiman Theatre, and Oregon Shakespeare Festival. Proud AEA member. Love to Mr. Nichols! @laurelleemarie
GEOFF JOSSELSON, CSA (Casting Director) is thrilled to continue collaborating with Village Theatre. Select credits include Broadway: Spamalot, Sweeney Todd: The Demon Barber of Fleet Street, Into the Woods (Artios Award winner), The Velocity of Autumn. Off-Broadway: Cellino v. Barnes, Dracula: A Comedy of Terrors, Altar Boyz, Southern Comfort, Yank!. Select New York and Regional Theatre companies include Arena Stage, Actors Theatre of Louisville, Baltimore Center Stage, Irish Repertory Theatre, The Kennedy Center, Long Wharf Theatre, Old Globe, Oregon Shakespeare Festival, Studio Theatre, Paper Mill Playhouse, Pasadena Playhouse, Pittsburgh CLO, Pittsburgh Public Theatre, Repertory Theatre of St. Louis, Signature Theatre, Studio Theatre and York Theatre Company. josscasting.com
HEATHER HACH, (Book) received 2007 Tony and Drama Desk nominations for her work on Legally Blonde. Graduate of the University of Colorado, Boulder, School of Journalism. Worked at The New York Times Denver Bureau as a research assistant and Sports and Fitness Publishing in Boulder, Colorado, as a magazine editor. Member of Denver’s Comedy Sports improv comedy troupe. Worked on the TV shows “Caroline in the City” and “Dilbert.” Won Walt Disney Screenwriting Fellowship in 1999. Film credits include Disney’s Freaky Friday and What to Expect When You’re Expecting. Also wrote the young adult novel Freaky Monday with Mary Rodgers. Much love to friends and family, especially Jason, Harper and Drake.
LAURENCE O’KEEFE, (Music & Lyrics) received 2007 Tony and Drama Desk nominations for his work on Legally Blonde. Larry thanks all Blonde producers and creative team. He won the Ed Kleban Award, the ASCAP Richard Rodgers New Horizons Award and a Jonathan Larson award for his music and lyrics. Off-Broadway credits: Bat Boy: The Musical (Lucille Lortel, Richard Rodgers, Outer Critics’ Circle awards), which has received 100+ productions worldwide; music for Sarah, Plain and Tall, lyrics by Nell Benjamin (touring with TheatreWorksUSA). Co-author with Nell Benjamin of Cam Jansen (Drama Desk nomination) and The Mice. Larry is a product of his education with the Harvard Krokodiloes, the Hasty Pudding Theatricals, the Harvard Lampoon and the Actors’ Gang, but especially the incomparable Nell Benjamin.
NELL BENJAMIN, (Music & Lyrics) co-wrote the score to Legally Blonde The Musical with composer Laurence O’Keefe, which received Tony Award nominations, Drama Desk nominations, and the Olivier and Helpmann Awards for Best Musical. Nell wrote the lyrics to Mean Girls, which received multiple Tony Award nominations, including for Best Original Score and Best Musical. Nell’s play, The Explorers Club, won the Outer Critics Circle Award for Outstanding Off-Broadway Play, the Edgerton Foundation New American Plays Award, and an Alfred P. Sloan Foundation grant. Nell has written book and/or lyrics for Pirates! (or Gilbert and Sullivan plunder’d), Sarah, Plain and Tall, Cam Jansen (Drama Desk-nominated), I Want My Hat Back, How I Became a Pirate, The Mice, Life of the Party, and Because of Winn Dixie. Upcoming musicals are: Huzzah!, Life of the Party, Dave. Television writing includes: “Unhappily Ever After”, Animal Planet’s “Whoa! Sunday with Mo Rocca”, “Electric Company”, “Best Time Ever with Neil Patrick Harris”, “Ant & Dec’s Saturday Night Takeaway”, “Julie’s Greenroom.” Nell is the recipient of the Kleban Foundation Award and a Jonathan Larson Grant.
MUSIC THEATRE INTERNATIONAL(MTI) is one of the world’s leading theatrical licensing agencies, granting theatres from around the world the rights to perform the greatest selection of musicals from Broadway and beyond. Founded in 1952 by composer Frank Loesser and orchestrator Don Walker, MTI is a driving force in advancing musical theatre as a vibrant and engaging art form. MTI works directly with the composers, lyricists and book writers of these musicals to provide official scripts, musical materials and dynamic theatrical resources to over 100,000 professional, community and school theatres in the US and in over 150 countries worldwide. MTI is particularly dedicated to educational theatre and has created special collections to meet the needs of various types of performers and audiences. MTI’s Broadway Junior® shows are 30- and 60-minute musicals for performance by elementary and middle school-aged performers, while MTI’s School Editions are musicals annotated for performance by high school students. MTI maintains its
global headquarters in New York City with additional offices in London (MTI Europe) and Melbourne (MTI Australasia).
2024-2025 SUBSCRIPTION PRICE CHART Save the most off single tickets with a five-show subscription, now featuring one Free Show Swap! Four-show and premium Marquee subscriptions also available.
PAY WHAT YOU WILL
Starting with the 2024-2025 season, tickets can be purchased online one week in advance of the PWYW performance date for a suggested ticket price of $20. You may also visit the Box Office in person or call (425) 392-2202 to pay any price you wish starting one week before the PWYW performance.
ISSAQUAH
Tuesday, November 12, 2024 at 7:30 pm
Wednesday, November 27, 2024 at 2:00pm
EVERETT
Sunday, January 19, 2025 at 7:30pm
Saturday, January 25, 2025 at 7:30pm
PRIDE NIGHT at LEGALLY BLONDE
Presented in partnership with the GSBA,Eastside Pride, and The Garage, a Teen Cafe, Village Theatre proudly announces PRIDE NIGHT at Legally Blonde The Musical!
Get 25% off tickets with coupon code PRIDENIGHT at checkout, then assemble your most fashionable ensemble — the more pink, the merrier! — and arrive ready to snap plenty of photos on our pink carpet (fabulous props provided). Bend and snap up your tickets today!
IN @ MAIN (Institute at Mainstage)
KIDSTAGE students are invited to attend the show and given an opportunity to learn more about the behind-the-scenes world.
ISSAQUAH: Friday, November 22, 2024, at 7:30 p.m.
EVERETT: Friday, January 24, 2025, at 7:30 p.m.
PREVIEWS
The show is almost complete and the audience is the final piece. Final adjustments could be made after this performance as we head to opening night.
ISSAQUAH:
Tuesday, November 12, 2024, at 7:30 p.m. – Pay What You Will Performance
Wednesday, November 13, 2024, at 7:30 p.m.
Thursday, November 14, 2024, at 7:30 p.m.
OPENING NIGHTS
The show is complete! Join us for the celebration.
ISSAQUAH: Friday, November 15, 2024, at 7:30 p.m.
EVERETT: Saturday, January 4, 2025, at 7:30 p.m.
CLOSING PERFORMANCES
The final performance in each location.
Legally Blonde The Musical is an upbeat comedy that humorously skewers a host of stereotypes of all kinds of women. There’s a fair amount of sexism, adult language, and mild sexual content. It also takes place in both law school and during a murder trial, so there is discussion about murder and other crimes, all of which is done in a playful, comedic tone. The musical closely follows the plot & tone of the movie upon which it is based, which has a PG-13 rating.